longtaillogo90px

Return to Title Description

CHAMPIONS OF THE WAVE

FULL SCRIPT

 

C/U Water

 

W/S Lake

 

Mix to C/U Tussock

 

 

Mix to M/S Tussock

 

Mix to W/S Tussock and MTS

 

Mix to M/S Grass

0000

 

0002

 

0006

 

0008

0009

 

 

0012

0013

 

0016

 

 

 

 

 

 

An invisible force sweeps across a remote valley.

 

 

 

A wind such as is found nowhere else.

 

 

 

 

 

Mix to M/S rocks and tussock.

0019

 

 

 

Mix to flowers

0020

0021

A wind shaped by a unique encounter between land and sky that opens a doorway into another realm.

 

Mix to W/S flowers and valley

0024

 

 

Mix to W/S valley Pan R

0027

 

0028

 

 

 

 

 

 

music

in

 

0035

A realm few have glimpsed....fewer still will ever master....

 

Mix to Timelapse cloud

0038

 

 

Key

0043

TITLE   ‘CHAMPIONS OF THE WAVE’

 

 

Lose key

 

0048

 

 

Mix to M/S twister

0050

 

 

 

 

 

Mix to W/S basin (threatening cloud)

0051

0052

 

0054

The MacKenzie Basin - an isolated and semi-arid plain below New Zealand’s Southern Alps.  Despite its isolation, it has attracted the world’s best fliers.

 

music

out

 

Mix to Pan R over sign

0057

 

 

Mix to 5/S Flags

 

Mix to 2/S Flags

01030104

0105

 

All masters of the air in their own right - in their own skies.

 

Mix to M/S Octopus Kite

0107

 

 

Mix to W/S crowd and Octopus Kite

0109

From 20 countries they have come.

 

Cut M/S Band enter L.O.F.

0112

 

 

Cut L/S competitors marching

Cut Tilt flag to competitors marching

Cut W/S French team

0117

 

 

0119

 

 

0124

 

 

 

Cut Kids in crowd

Cut 3/S Turkey team

Cut W/S U.S. team Cut W/S N.Z. team Cut M/S N.Z. team

0125

0128

0130

 

013101340136

But this will be different.  This is a frontier.  One of the places the sport of gliding was pioneered.  Yet in half a century, it’s the first time the world event has been held here - the conditions in the valley considered simply too extreme...

 

Mix to W/S Flags and crowd

0139

 

 

Cut M/S Maori haka

0142

 

 

Cut W/S Crowd and flags

0148

Even now many remain apprehensive...

 

Cut M/S Maori

0150

 

 

 

 

Cut 2/S with camera

Cut M/S Woman (hair blows)

0152

 

0153

 

0155

The real challenge ahead is seen as coming not from other competitors, as much as from the landscape and its volatile winds for which the valley is notorious...

 

Cut W/S Maori

0156

 

 

Cut 2/S Grass hat

Cut W/S Maori - Kneels

0158

0159

 

 

Cut C/V flags blowing

Mix to M/S glider on ground

0202

 

0203

0205

 

 

 

On to the normal challenges of competition has been added real danger.

 

Cut W/S row of gliders

0206

 

 

Cut W/S gliders and trees

Mix to Pan plane R-L

0208

 

0210

 

 

 

Cut M/S man raises camera

0211

0212

But to fly like a bird... remains the ultimate challenge to a species bound to the earth.

 

Cut W/S crowd

Cut M/S man turns

Cut L/S plane

Cut 3/S crowd

0214

0215

0216

0218

 

 

Cut W/S planes rise

Cut 2/S children

Cut M/S helicopter passed

Cut W/S Crowd by cars

Cut Aerobatic plane turns

0219

 

0222

0223

 

0225

 

0226

 

 

Cut W/S Crowd and tent

0230

And of all our attempts to escape, the ultimate is gliding.

 

Cut L/S Aerobatic glider in flight.

0232

 

 

 

 

Cut M/S on board pilot

 

Mix to Glider over camera

Cut W/S Glider away from Camera

0233

 

0242

 

 

0248

 

0250

 

music

in

Mix to W/S over glider canopy

0255

0256

 

For the last 60 years adventurers have been exploring the limits of unpowered flight and today can penetrate some of the most difficult and remote terrain on the planet.

 

Mix to W/S glider passed rocky cliff

0302

 

 

 

Cut W/S track glider

 

0308

 

 

 

0310

And it is seldom better than here...

 

Mix to Glider passed camera

 (L-R)

0311

 

 

 

 

 

 

 

Mix to Wing P.O.V.

Cut W/S Glider passed rocky cliff

0315

0317

0320

Despite its extremes, or more accurately because of them, the air surrounding the MacKenzie basin is regarded as one of the greatest soaring locations in the world.

 

Mix to L/S Canopy P.O.V.

Mix to W/S Tail mount glider

0323

 

0325

 

 

 

 

 

 

 

0332

a confused and jumbled landscape....

 

Mix to W/S Glider passed mountains

0333

 

 

Mix to  track glider over lake

0337

 

 

Mix to Zoom out (Z/O) Glider against mountains

0340

0343

 

 

And across it all can sweep a potent and irresistible force of wind like no other.

 

Mix to Graphic : winds over Australia and New Zealand

0352

 

 

 

0355

 

music

out

 

 

 

 

 

0358

The gales of the Roaring 40’s sweep past Southern Australia and on to the islands of New Zealand to strike a solid wall of rock 1,000 km long and almost 4 kilometres high.   It’s no barrier to the winds - little more than a bump in the bed of a stream.

 

But as rocks in a riverbed, the ridge causes turbulence...ripples that extend high into the air stream - an invisible phenomenon known simply as “The Wave”.

 

Mix to Graphic: Over New Zealand track to profile of Southern Alps

0418

 

 

Mix to Timelapse arch of clouds

0426

 

 

 

 

 

 

 

Mix to timelapse arch of clouds

0425

0426

Only the clouds that form in its peaks give a clue to the wave’s presence... but, as it sweeps out from the mountains it turns the basin around Omarama into a hot dry pocket in the island’s heart.

 

Mix to Graphic: Highlights MacKenzie Basin

0434

 

 

Mix to  Timelapse steam of clouds

0440

 

0444

 

 

(V/O)“It’s a wind which has moulded a lot of the country and the country’s life, and for me it had a fascination which later I was able to exploit to a certain degree and enjoy.  It’s a wind of meaning.

 

Mix to M/S I/V Dick Georgeson

Key Dick Georgeson Pioneer Pilot

Cut W/S Timelapse venticular cloud

0450

 

0452

 

 

0457

 

 

 

0500

On wave days, characteristic lenticular clouds lend a haunting face to the valley’s invisible guardian.

music

in

Mix to aerial glider in wave.

0506

 

 

 

0507

Waves can rise to over 50 thousand feet above sea level... reach speeds of a hundred and fifty kilometres an hour.

 

Cut . On board M/S Pilot.

0512

 

 

 

0515

For those who can find a way to its heart it is an awe inspiring encounter.

 

Cut. Aerial Glider (Rises)

0518

 

 

Mix to  W/S sculptor working

0522

 

 

 

0528

It holds a fascination unlike any other natural phenomenon

 

Cut. C/U Face

0529

 

 

 

Cut. C/U hands and chisel

 

 

Cut.  C/U Carving turned

 

Mix to M/S Timelapse cloud.

 

 

Mix to W/S Timelapse Cloud

 

0534

 

 

 

0537

 

0539

0540

 

 

 

0546

 

(V.O)“To me it’s the feeling that I imagine when I’m looking at those lenticular clouds.  They’re just one of the more beautiful things on earth.   Their thick long lines are very graceful, and to me that has a spirit to it so I just wanted to capture the spirit of that wind, that wind makes those clouds that movement, that smoothness and what better place to do that than a gliding championship.  What also appealed to me was bringing the concept of stone and sky together.”

 

music

out

 

 

 

 

music

in

Cut W/S Z/I I/V with sculptor

0552

 

 

Key Marc Wilson sculptor

Lose Key

Cut M/S of sculptor

 

Mix to W/S Trailers

0555

 

0600

0606

 

0617

 

 

 

 

 

But to the uninitiated, the wave can be cruel.

 

 

 

Cut C/U Licence plate

Cut C/U Ontario plate

Cut L/S French trailer

Cut C/U Renault plate

Cut C/U Victoria plate

Cut C/U German plate

Cut W/S German plate

Cut C/U Vorsicht plate

Cut M/S Daimler-Benz plate

Cut C/U NSW plate

Cut M/S California plate

Mix to W/S Glider passed R - L

 

0619

0620

 

 

 

0621

 

 

 

0622

 

 

 

0623

 

 

 

0624

 

 

 

0625

 

0626

 

 

 

music

out

 

 

 

music in

 

 

 

 

Mix to Wing P.O.V.

0636

 

 

 

0637

For each of the three classes of glider the challenge is the same.  In the few days of practice before competition visiting pilots must hope they can go beyond familiarising themselves with a remote and wildly varying landscape to meet and hopefully fly the wave.

 

 

Cut L/S Glider against Mountains

0643

0644

 

music

out

 

 

 

 

 

 

 

 

 

0656

The competition has never before been held in such testing surroundings.

 

 

 

 

 

Mix to C/V I/V

Key: Makoto Ichikawa Pilot

 

Lose key

0701

0703

 

 

0708

(Sync)“It is true it is extreme conditions so it is little less safe but it’s also another dimension of testing the pilots skill.  It requires more but then you have to be a champion after all.”

 

Cut. Aerial glider turns under camera

0714

 

 

Mix to Aerial Track Glider

 

Mix to Aerial W/S pan glider

 

Cut.  Onboard M/S Justin Wills

0721

 

 

0726

 

 

0729

And for those who can master its challenges , the rewards offered by the wave are unparalleled.... So exceptional that leading British team member Justin Wills has made the basin his permanent home.

 

 

 

 

 

 

 

 

Cut Aerial Track

 

Cut Onboard M/S

Cut Aerial track

 

Cut W/S Glider from under Camera

0735

 

 

0739

 

0746

0749

 

0753

(V/O)“My father had come here back in the 50’s and discovered the extraordinarily interesting gliding conditions here.  That led me to visit and circumstances enabled me to come and live here, drawn not only by the extraordinary glider conditions but also the sheer beauty of the surrounding country.

 

Cut W/S House

0758

Cut W/S House

 

 

Mix to B/W still

Mix to B/W still

Mix to B/W still motorbikes

Mix to B/W still motorbikes

0800

0801

0804

0808

 

0811

Irishman’s Creek, the sheep station where Wills is now based was already part of gliding history.  It was here that a young man named Dick Georgeson grew up surrounded and enthralled by the simple wonders of nature.

 

 

 

 

 

Cut M/S I/V Dick Georgison

 

 

Cut  L/S Pan Harrier Hawk

Cut M/S I/V Dick Georgeson

Cut L/S Harrier Hawk

Cut M/S I/V Dick Georgeson

0804

 

 

 

0820

 

0823

 

0828

 

0830

(Sync and V/o) “At lunch time we used to watch a hawk which used to come across here quite low just out here - we’d watch it for a few minutes and gradually slowly it would start circling and then gradually climb.  That was just an example of what gliding could be all about.”

 

 

 

 

 

Cut Archive Footage: M/S man and trailer

Cut Archive:W/S Car and trailer

Cut Archive: Glider from trailer

0835

 

 

0838

 

0842

 

After World War Two Dick returned to Irishman’s Creek determined to emulate the hawk’s mastery of the local wind.   Through Justin Will’s father, Philip, he had obtained from England a commandeered German glider.

 

 

 

 

 

 

 

Cut Archive: W/S wing from trailer

0851

 

0857

The Germans were at the forefront of glider design, turning to it after World War One, when they were banned from maintaining a conventional airforce.

 

Cut Archive: Wing to Glider

0859

 

 

 

Cut Archive: Wing to Glider

Cut Archive: Tow plane

0901

0902

 

0906

The wood and canvas Weihe (pron Vai-a) seems now a crude craft, with a limited glide angle and an effective cruising speed of only about 100 kilometres per hour.

 

Cut  Archive: Pan to Glider Take Off

 

Fade to Black

0909

 

 

0920

 

 

 

 

Fade up from black

W/S mountains and sky.

 

 

0921

But it’s arrival in New Zealand began a 40 year journey of discovery that would eventually draw the attention of the world.

 

 

0922

 

 

music

in

Mix to L/S Gliders towed     

0925

Today sleek high performance racers are here in the Weihe’s place. (Vai-a)

 

Cut W/S Towed glider passed camera

0929

 

 

 

Cut 2/S Gliders towed

 

0933

 

Flying speeds have trebled and glide angles improved to allow the biggest to fly 60 kilometres from a mere kilometre height.

 

Cut W/S Gliders

0937

 

 

 

0938

Glass and carbon fibre composites have replaced wood and canvas...The craft now highly refined the merest speck of dust or moisture could affect its performance.

 

Cut M/S Cover off wing

0943

 

 

Cut C/V 2/S Polishing

0947

 

 

Cut M/S man polishing

Mix to M/S woman polishing

0950

 

0952

But while the technology’s changed the pure simplicity of unpowered flight remains the same, and always will do....

 

Mix to W/S gliders polished

0956

 

 

Mix to C/V polishing

Mix to Pan polishing

 

Cut M/S I/V

Key Justin Wills Pilot

Lose Key

Cut W/S Pan glider R-L

 

Cut M/S I/V

0958

 

1002

 

 

1008

1010

 

1013

1015

 

 

1027

(Sync and V/O)“The analogy is riding a bicycle without pedals if you have no propulsion on your bicycle the only way you can keep it moving and stop falling off is by finding a gently downward slope.  It’s exactly the same parallel with gliding.  Gliders are always descending through the air in which they’re flying.  The trick and fascination of the sport is to then find air which is ascending faster than the minimum you need to descend to stay airborne.”

 

 

 

 

 

Cut L/S Glider ascends

Mix to W/S timelapse clouds

Cut Archive: W/S Glider

1032

 

1035

 

1043

That is gliding’s irresistible allure...the prospect of mastering the invisible language of the sky well enough to penetrate realms until recently undreamt of...

music

in

 

 

 

 

 

Cut Archive:Pan over glider

1045

1047

In 1960 Dick Georgeson set out to explore signs of a volatile wave brewing in the skies above the valley.  For three hours he would ride its fringes...until suddenly he found himself swept skyward at 600 feet a minute...

 

 

Cut Archive: M/S cockpit

Cut Archive: 2/S pilot in glider

Cut Archive: W/S glider towed

Cut W/S timelapse clouds

1050

1053

 

1055

 

1058

1100

1101

 

 

music

out

 

 

 

 

Music in

Mix to M/S I/V

Key: Dick Georgeson

Lose key

Cut Blank

Cut Still Clouds

 

 

Cut M/S I/V

 

 

 

Cut Blank

Cut still wing and clouds

Cut M/S I/V

 

Cut Black

Cut Still clouds

 

Cut Black

Cut Still Clouds

Cut M/S I/V

 

Cut Black

Cut still wing and clouds

 

 

M/S I/V

 

 

Cut Black

Cut Still wing and Clouds

 

Cut M/S I/V

 

 

 

 

 

Cut black

Cut Still: Mountains and cloud

1106

1108

 

1112

1115

1116

 

 

1124

 

 

 

1130

 

 

1135

 

1150

1151

 

1158

1159

1203

 

1212

1213

 

 

 

1220

 

 

1237

 

 

 

1244

 

 

 

 

 

1258

1259

(Sync and V/O)“It was 19,000 feet and the climb went on and on and at 25,000 feet I took a photograph.  It was a pretty impressive photograph, that cloud was three miles high, the base was 9000ft, well it was like skiing cos great big tons of cloud came out. It was like you could fly along them and it was exciting beyond belief - so the concentration was on the excitement was on, well the aircraft kept on climbing but a problem began to develop and that was the controls started to freeze and the controls got heavier and heavier and heavier and I thought well I won’t worry about that.  I’ll try and get the thing steady so I don’t have to turn - so we did this and came over the top of it and got to a bit over 36,000ft.  I knew that if the barograph worked, I’d got a world record. 

At that time I noticed puffs of white powder in the cockpit - I couldn’t make out what that was and found it was my breath turning straight to ice crystals.  So I thought my god the brakes,  I pulled on them - they were frozen and that really upset me.  I started to hyperventilate, I had pressure breathing on and that really upset me I turned that off and then I got myself under control and I started hauling on the brakes kept the pressure there and then suddenly bang - they flew open and they froze open but that didn’t matter cos now we were on the thing was starting to go down.  I could call the control tower on the radio - little valve set worked, dry cell batteries still going so I got hold of the controller and told him where I was and what had happened and he said well congratulations I hope you have a world record.  And he said if you look down now you might see DC6 coming in from Australia and I looked down there and there 20,000ft below me was a tiny little airplane.  He was flying at 10,000 ft and going under me -  so down we came.”

 

 

 

 

 

in

 

 

 

 

Cut Black

1308

 

 

Cut Archive: pan glider passed

1309

 

 

 

 

Mix to Archive: W/S glider lands

Mix to W/S Dusk Sky

1310

 

1312

 

1320

The wave had taken him to 36 thousand feet - the first of 8 world records Dick would set over the basin in what is now recognised as probably the greatest wave site in the world...

 

 

 

 

 

 

 

 

 

Cut W/S Grass and wind sock

Cut C/U wind sock

 

Cut W/S wind sock

1326

 

1329

 

1332

But in mockery of the valley’s reputation, Day one of the 14 day competition has opened, instead, to fair weather..

 

The wave is nowhere to be seen.

 

Cut W/S tent

1336

 

 

Cut MWS map and officials

1338

 

 

 

 

(V/O)“...the easterlies coming in that area later in the day.”

 

 

 

 

 

 

Cut W/S Pilots

 

Cut M/S Pilot

Cut 3/S Pilots

Cut M/S pilot

Cut 2/S German pilots

1343

1344

 

1346

1349

1352

1355

For the moment, the challenge they have come to dread has been removed for the visitors.  It’ll be a classic thermal day instead - a conventional contest that’ll favour the European team flying specialists such as open class favourites Uli Schwenk & Robbie Schroeder.

 

 

 

 

music

in

Cut C/U Pilot

1402

 

 

 

Cut W/S Pilots

Cut C/V Justin Wills

Cut W/S Pilots Exit

1403

1406

1409

 

1411

Co-ordinated teams are increasingly dominating gliding competition, but they require constant practice and major financial support and remain limited to the larger nations.

 

 

 

 

 

 

 

 

 

 

Cut W/S EXT. HUT

 

Cut 5/S Pan R pilots

1413

1414

 

1417

Of the smaller nations, only the New Zealanders with the benefit of local knowledge are given any hope of tipping the balance.

 

 

 

 

 

 

 

 

 

 

Cut C/U hand tilt to face

Cut C/U Pilot Z/O

1427

1429

 

1434

They include the man who shattered the world distance record in the local wave with a flight of 2000 kilometres - championship veteran Ray Lynsky.

 

 

 

 

 

 

1436

 

music

in

Pan R to L

1442

Also in the group is the man who has since beaten even Lynskey’s achievement: current world distance record holder Terry De Lore...

 

 

1450

 

music

out

 

 

(V/O)“...the aperture of the wave so that’s a good reason for going up the main divide and heading downwind.”

 

 

 

 

 

 

 

 

 

Cut W/S gliders

Mix to H/A W/S gliders

Cut C/U propeller

Cut C/U propeller

Cut M/S propellor

Cut 3/S aircraft

Cut 2/S aircraft

Cut M/S official

1456

1459

 

1503

1504

1506

1507

1509

1511

Whether inspired local knowledge can outmatch the professionalism of the northern teams will emerge as the issue of the competition.

 

 

Cut M/S official glider taxis off

Cut L/S glider towed

1512

1516

 

1523

 

 

music

in

 

 

Cut 2/S officials

Cut L/S plane tail

Cut M/S official

1526

 

1531

1532

1536

In one frantic hour 110 gliders...15 million dollars worth of carbon fibre and engineering are hurtled into the valley skies to a common release point...

 

Cut M/S onboard pilot

Cut M/S rope to plane

Cut L/S down tail

Cut M/S official exits frame

Cut L/S glider towed

Cut MWS man runs

1538

 

1541

 

1541

1546

 

1548

 

1550

 

 

 

Cut W/S Under wing

 

Cut M/S Justin Wills

Cut L/S along glider

Cut M/S canopy closed

Cut Rear M/S official

1552

 

1554

1555

 

1557

 

1558

 

1559

 

 

After all the waiting...the months of physical and mental preparation, suddenly it’s all happening...

 

Cut M/S official exits FR. R.

1600

 

 

Cut M/S official

Cut M/S official

Cut M/S glider through frame

Cut L/S Woman runs

Cut M/S Pilot

Cut MWS glider tail

Cut 2/I to Justin Wills

Cit M/S official turns

1601

1602

1605

 

1609

 

1611

1612

 

1613

 

1614

 

 

 

Cut L/A L/S glider towed

 

 

1615

For five hours or more all that now matters is “The Task”

-an aerial trek around a triangular course of anything between 300 and 800 kilometres

 

Mix to C/U map

1619

 

music

out

Cut 2/S

1622

 

 

 

1626

The task setters are expecting strong thermal currents to dominate the day.

 

Cut tilt to face

1631

 

 

Cut C/U map

1635

 

 

 

Cut C/U book

1636

1638

They’ve set a race intended to pose the ultimate challenge to the pilots.

 

Cut C/U photograph

1642

 

 

 

Cut 2/S officials

 

Cut C/U map

Cut C/U calculator

1644

1645

 

1650

1653

At this level it will be considered an ideal task if 80 percent of the fleet make it back at the end of the day - the rest landing out to be trailered home.

 

 

 

 

 

 

 

 

Cut Pan Pilot to glider

 

Cut M/S I/V

Key: Jim Payne

1654

 

 

1700

 

 

1709

1710

But today’s pilots could have a slightly better chance...For the first time, they’ll have the aid of satellite navigation - GPS units attached to an onboard recorder - a prototype system that’s been developed especially for the event..

 

Team Manager

 

 

 

 

 

Lose key

 

 

1713

(Sync)“The GPS gives us the ability to record in three dimensions exactly where the pilot went versus timing.”

 

Cut C/U chart, W/S glider dissolved over

1715

 

 

 

Music in

 

1717

In a competition of this size the precise tracking of each glider’s flight to verify they’ve made it through the turn points is a major advance on past systems.

 

 

 

 

 

 

Cut M/S I/V by computer

 

 

 

Cut Black

Cut Still - Wing and ground

M/S I/V

Key: Julian Mason

 

Lose key

Cut Archive: B/W glider overhead

Cut C/U I/V

 

Cut Archive: B/W glider lands

 

Cut C/U I/V

 

1729

 

(Sync and V/O)“We basically used instamatic cameras mounted on the left hand side of the glider and the glider and the glider would simply come into a turn, do a bank and take a photograph.  At the end of the day we’d have to sit in a dark room and have to analyse instamatic 35mm frames from 10,000ft of turnpoints on the ground and it was really quite tricky and at this kind of championships, world championships it was an all nighter every night.

In the very early days of gliding championships - it was go up and see how far you can fly - free distance - it was beloved of English gentlemen who just waffled off downwind hundreds of miles, crews chasing them all over the countryside.  That rapidly became very expensive and very time consuming and they started the closed circuit racing using cameras to prove they’d actually been there.”

 

music out

Cut Aerial W/S glider towed

1814

 

music in

Cut onboard M/S pilot

Cut 2/S glider and plane

1817

 

1820

 

 

 

Cut onboard M/S pilot

1822

1823

Satellite navigation is also a major advantage to the pilots themselves...

 

Cut L/S 2/S glider and plane

Cut aerial glider away

1826

 

1828

 

 

 

 

 

Cut Onboard pilot

1829

 

 

1835

For the first time a pilot now has the ability to identify otherwise invisible points in the sky where he’s found rising air.  It means he can now find it again whenever he wants.

 

                            

Cut L/S pan glider R - L                                                      

 

1838

 

 

Mix to L/S 2/S gliders

1841

 

 

Cut tilt to sky

1846

(V/O)“941 off tow and climbing.”

 

Cut L/S Glider R -L

1854

 

 

Cut Onboard M/S pilot

1900

 

 

 

Cut C/U Instruments

 

 

 

Cut C/U Dial

1904

1906

 

1909

 

1912

With satellite navigation systems and the insistently beeping variometer to tell a pilot when he’s in rising air, the invisible realm is

gradually being tamed.

 

 

 

music out

 

 

 

 

 

Cut 2/S Gliders

1915

 

music in

 

Cut Onboard M/S Pilot

Cut W/S tussock and gliders

Mix to W/S Flock of Vultures

1919

1920

 

1924

 

1927

With the task close to opening the gliders find a column of rising air and form a gaggle near the starting point...

a jostling cluster of plastic birds now most closely emulating the real thing...

 

 

 

 

 

Mix to 2/S Gliders

1933

 

 

 

Mix to M/S Vulture

 

Mix to W/S flock of vultures

Mix to M/S vulture

 

1938

 

1943

 

1946

 

 

 

 

Mix  to M/S glider

1947

 

1950

Just as birds, they seek out the thermals - the invisible bubbles of warm air that stream up from any sunny mountain slope, gravel bed...or ploughed and darker paddock...

 

Mix to M/S vulture

1956

 

 

Mix to MWS flock of vultures

1959

 

 

Mix M W/S gliders

 

Mix M/S glider L -R

Cut onboard M/S pilot

Cut M/S cumulus cloud. Cut MWS clouds.

Cut M/S glider over camera.

 

2006

 

2010

2013

 

2018

2024

 

2030

It is the first secret of free flight... Anything that heats up and releases it’s warmth to the air may create a thermal updraught that will rise until it cools, leaving a telltale cumulus cloud as a beacon.  Beacons by which, on a day like today, the pilots will find rising air that will carry them across the sky..

 

3/S gliders

Cut onboard M/S pilot.

 

Cut MWS gliders

 

2031

2034

 

 

2037

 

 

 

Cut Z/S gliders

2041

It’s a time to assess conditions... to plan tactics... Most critically to choose when to start to achieve the fastest time around the course...

 

Cut onboard M/S pilot

2044

 

 

 

 

(V/O)“4 knots average off tow.”

 

Cut H/A aerial gliders.

Cut onboard M/S pilot

Cut wing P.O.V

2048

 

2051

 

2054

 

 

 

2055

15 minutes after the last glider is off tow, the start gate will be declared open.

 

Cut onboard M/S pilot

2059

 

 

Cut H/A aerial pan glider L- R

 

Cut onboard M/S Pilot

 

Cut H/A aerial over gliders

2102

 

 

2106

 

 

2109

 

 

 

2114

But there is no frantic scramble in this race.

 

Cut H/A aerial over gliders

2115

 

 

 

2119

It is at best a timing game.

 

Cut onboard M/S pilot

Cut wing P.O.V

2120

 

2122

 

 

Cut onboard M/S pilot

Cut wing P.O.V

Cut W/S gliders

2123

 

2126

2128

At worst a game of three dimensional chess in which you have to pick shifts in the unseen force you hope to ride to your objective.

 

 

 

 

 

 

 

Mix W/S aerial track glider

2136

Begin the task early and there is the risk of being passed by someone catching stronger conditions later.  Begin late, and you risk not getting home.

 

Cut W/S glider R-L

Cut onboard M/S pilot

2144

2146

 

 

 

Cut W/S track glider

2148

2150

The art lies in knowing where the best lift is going to be, and then being there when it peaks.

 

Cut Cu instrument

 

W/S Track glider

2155

 

2200

 

 

 

2202

Each flight is an unrelenting search for the subtle signs that will offer a guide to another boost of rising air...

 

Cut onboard M/S pilot

 

Cut W/S track glider

2204

 

2205

 

2206

 

 

 

music out

 

Mix to Wing P.O.V. passed hill

 

2212

2213

A thermal rising from a distant valley, or the point where a breeze blowing up a mountain slope lifts skywards off a ridge line.

 

Cut Onboard M/S pilot

2220

 

 

Cut Wing P.O.V.

2225

 

 

 

2227

In the right terrain a pilot can ride unbroken ridge lift for many miles, like a surfer on an invisible wave.

 

Mix to W/S 2/S gliders

2235

 

 

 

Mix to M/S glider passed L-R

2241

2243

In the light conditions of Day One, those who are able to find that sort of lift will gain an enviable edge...

 

Cut W/S glider passed rocks

Cut Onboard M/S pilot

2248

 

2250

 

 

Cut W/S pan glider L-R

Cut onboard M/S pilot

2253

 

2257

 

 

(Sync)“Where are you? I’m 50 k’s to the southwest of Omarama, heading north”

 

Cut canopy reflection

2301

 

 

 

Cut pan glider L-R

Cut wing. P.O.V. over lake

 

Cut L/A glider passed

2303

2305

2307

 

 

2313

Even without the wave, the day’s task is proving a testing one. 345 kilometres across fractured mountain country to round 4 turning points.

 

Mix to W/S two gliders circle

2315

 

 

 

2318

They’re conditions in which team flying comes into its own.

music in

Cut aerial glider descends

2324

 

 

 

Cut  onboard M/S pilot

2327

2329

Working closely in tandem the German pair of Robbie Schroeder and Uli Schwenke have made good time and look to have moved clear of the field in the big winged open class..

 

Cut aerial 2/s gliders

2341

 

 

 

2346

 

music out

Cut M/S I/V

Key Uli Schwenik

pilot

Lose key

2349

2350

 

2355

(Sync)“If you are flying in team, with two brains I think together we are like three brains and we can see more four eyes see more than two eyes.”

 

Cut aerial 2/s gliders

2356

 

 

 

Cut onboard M/S

2401

2403

For Schwenke, as for many pilots, the intimate blending of minds involved in team flying is just an extension of the harmonies at the heart of gliding itself...

 

Cut aerial glider along ridge

2408

 

 

 

 

 

 

 

Cut onboard M/S pilot

 

Cut aerial glider along ridge

Cut M/S I/V

Key:Rob Bickers team manager

Lose key

 

Cut onboard M/S pilot

 

Cut M/S I/V

Cut 2/S F-16 Aircraft

Cut M/S I/V

Key Jim Payne Team manager

Lose key

Cut L/A W/S glider overhead

Cut Onboard M/S pilot

 

Mix to onboard M/S Pilot

Mix to onboard M/S Pilot

Cut M/S I/V

Cut pan two gliders R-L

 

 

Cut M/S I/V

Key: Janet Janowitsch Pilot

Lose Key

 

2418

 

 

2428

 

2439

2440

 

2445

 

 

 

 

2456

2502

 

2505

2506

 

2509

2511

 

2517

 

 

2525

 

2530

 

2536

 

2539

 

 

2545

 

(V/O)“For me it’s important that you are alone in the nature, you have to fly with the nature what the nature is giving you and you thank God he gave us such nature and that we can use it for our sport.”

 

“Its a passion whether you’re a competition racer or non competitive pilot - you just enjoy pitting yourself against nature, reading the weather - Glider pilots are some of the best weathermen in the world without doubt.”

 

It’s the challenge that you face as a pilot.  I’m in the American airforce and I fly F16’s and F16’s as long as you have fuel in the tank and the motors running you put the throttle then it’s going to perform in a certain manner whereas in soaring it’s a challenge to figure out what the weathers doing and to optimise the performance of the airplane and if you do well you know it’s because you have overcome or you have used the elements of nature to optimise you flight and if you’ve made a better flight than someone else it’s because you have better skill.  I think that most glider pilots are pretty competent - you have to be to go up against the train around the world.”

 

“I think we’re privileged to be able to do this, to really fly with the birds and fly long distances and just use our nous and mother nature to fly.  It’s a privilege and it’s a thrill.”

 

Cut Pan glider across valley R-L

2557

 

 

 

 

Mix to L/S glider

2604

 

2607

And whether flying one of the two metre classes

running for home by albatross or the huge albatross winged open class planes the thrill is the same...

 

Cut onboard M/S pilot

2614

 

 

 

Cut Pan glider passed R-L

2615

2617

A rush as the final turning point drops behind and the planes begin a 200 kilometre an hour down hill dash for home.

 

Cut MWS pan glider L-R

Cut EWS pan glider L-R

Cut W/S pan glider L-R

Mix to W/S glider R-L

Mix to 2/S gliders R-L

Mix to L/S glider

 

Cut glider through frame R-L

2624

 

2631

 

2638

 

2641

 

2645

 

2647

 

2650

 

 

 

Mix W/S aerial track two gliders

 

2651

As the last ridge drops away, so does the water ballast that’s been on board to give the glider more punch through the air.

 

Cut W/S pan glider R-L

Mix L/S 2/S gliders

Mix to glider passed R-L

Cut glider lands

2710

 

2718

2720

 

2725

 

 

 

Cut L/S glider turns

 

Cut glider taxis

2727

2728

 

2735

The day’s placing’s may hang on a matter of a few minutes difference in finishing times.  A thousand points to the winner, progressively less to those who take longer

 

Cut L/S glider

 

Cut two gliders through frame

2738

 

2740

 

 

music in

Cut 3/S people by glider

Cut L/S glider lands B/G

2742

At this stage it appears local knowledge hasn’t been enough... On times alone the high powered European teams look to have won all three classes.

 

Cut L/S 2/S gliders above hill

2748

 

 

Cut M/S glider taxis

 

cut L/S glider rises

Cut M/S pilot in cockpit

Cut glider over cam

 

Cut M/S canopy opened

Cut glider through frame R-L

Cut glider stops

 

Cut W/S pan glider passed R-L

 

 

Cut M/S pilot removes GPS box

2752

 

2755

2757

 

2801

 

2802

 

2803

 

2805

 

2806

 

2810

 

2811

(V/O)“all the evidence is in there, all the stories, no more big fish.”

 

 

music out

 

music in

 

 

 

 

 

 

 

 

music out

 

Cut MWS I/V by computer

Cut C/U keys

 

Cut C/U screen

2824

 

2831

 

2835

 

 

 

 

Cut C/U face tilt to keys

2838

2841

With the new technology the final results are on hand within minutes of the planes coming down.

 

Cut C/U screen

2846

 

 

 

2847

The GPS data confirms that in all three classes the day has gone to the visitors.

 

Cut W/S pan glider passed R-L

2852

 

 

 

Mix to L/S 2/S gliders turn

Mix to W/S glider passed photographer

2855

2856

 

2859

In the absence of the much vaunted wave the domination by the professional flying teams has re-emerged setting the pattern for the next seven days of competition.

 

Mix to W/S valley (dusk)

Fade to black

Fade up from black L/A M/S balloon launched

Cut W/S balloon launched

2905

 

2910

2912

 

 

2914

 

 

 

Cut M/S computer

Cut MWS man at computer

Cut L/S balloon rises

2916

2918

2922

 

2926

For a full week the weather has been uncharacteristically settled - there’s a general feeling it can’t last.

 

Cut C/U papers

2930

 

 

 

Cut C/U pen

2931

2932

On Day 8 comes the day everyone has been waiting for  - and dreading.

 

Cut W/S office

 

Cut C/U screen

 

Cut MWS office

 

2934

 

2937

 

2940

 

 

 

 Cut C/U screen

2944

The forecast is wave.

 

 

 

 

Mix 3/S flags pan R-L

Mix to W/S tent

Cut M/S clouds over tent

Mix to 4/S flags fluttering

 

2948

 

2951

 

2957

3001

 

3004

 

 

 

music in

Cut M/S timelapse cloud

3008

As the day warms, the telltale signs envelope the basin.

 

Mix W/S timelapse clouds

Mix to W/S timelapse clouds over basin

Mix to L/S glider towed

3013

 

3018

 

 

3027

 

 

 

 

 

mix  to W/S 2/S glider towed to cloud

3028

 

 

3038

The visiting fliers who have dominated ranking’s so far are about to face the ultimate test...

 

Cut onboard M/S pilot

3047

 

music out

 

 

 

Cut M/S I/V

Key: Bob Bickers

Team Manager

Lose Key

 

Cut onboard M/S Pilot

Cut 2/S glider towed

Cut M/S I/V

 

Cut 2/S glider towed under cloud

Cut W/S glider towed

Cut M/S I/V

Key :Hannu Halonen Team Manager

Lose Key

Cut W/S glider towed to cloud

 

 

 

3059

3100

 

3105

 

3108

 

3115

 

3121

 

3127

 

3132

 

3137

3138

 

 

3143

3145

(Sync and V/O)“Most of my boys one way or another have flown in these kind of conditions in other parts of the world.  The only peculiarity is the fact that it’s one long mountain up and down the country so when it is wave its very particular to this country.  In Europe when the wave comes there are lots of mountains where people go wave flying or ridge running there are lots of mountains and they’re spread out so the wave doesn’t get to be quite so classic.”

 

“One thing I’m saying that be careful so that safety is 1st point and competition is the 2nd.”

 

Cut M/S onboard pilot

cut L/S 2/S release

3149

 

3153

 

 

 

Cut W/S Cloud and trees

Cut M/S onboard pilot

Cut MW/S Gliders under cloud

3155

3158

 

 

 

3208

 

Released from the tows, the planes gaggle under the threatening lenticular cloud.  The real challenge facing them is to find a way from the violently disturbed air beneath the wave into the smooth layer above it.

 

Cut W/S timelapse clouds

3213

3215

 

 

 

music in

 

Mix to M/S timelapse cloud

3218

3219

It’s a technique mastered through long experience by New Zealander Ray Lynskey.

 

 

 

 

 

 

Mix to M/S I/V

 

Key: Ray Lynskey Pilot

Lose key

 

Mix to M/S timelapse cloud

 

 

Mix to W/S I/V

 

 

Mix to w/S timelapse clouds

 

 

 

 

 

Mix to M/S I/V

3224

3225

 

3227

 

3231

 

3238

 

3240

 

3248

3249

 

3254

 

3255

 

 

3303

 

3304

(Sync and V/O)“Normally how you start is by ridge soaring, you tow off and you ridge soar on the front of a hill get up to about hilltop height, perhaps you’ll use a thermal on top of a hill to go higher and then push into wind if you’re lucky.  If the wave just happens to be at that place you’ll end up in the wave climbing.  The wave is very smooth.  It’s silky smooth sometimes - you can be flying flat out and there’s no movement whatsoever it’s just totally smooth air but below the laminar area, we call it - it can be very turbulent if the rotors and turbulence and all the rest of it so you sometimes have to use that rough air in order to climb up and sometimes it means pushing in towards the back of a hill and using the turbulent thermals that are coming up to thermal up a little bit then lose it go forward a little thermal up and you just step up step up and step up until suddenly it goes totally smooth and you just keep on climbing.  It’s fantastic, it’s 2-3000ft a minute climb rate at times.”

 

 

 

music out

 

 

 

 

music in

 

music out

 

 

music in

 

music out

 

 

 

 

 

Cut W/S dusty road

3328

Beneath the wave, conditions suddenly become the worst of the tournament.

 

Cut L/S 2/S in wind

Cut W/S people in wind

Cut M/S Tern Bird in wind

cut C/U    flag

3331

3333

 

3335

 

3339

 

 

Cut L/S 2/S in wind

Cut L/S banner and people

3341

3343

Conditions that may be dangerous to anyone staying below it...

 

Cut canopy reflection

3346

 

 

 

3347

3348

But those who manage to master the climb into its upper layers are in for the ride of their lives...

 

music in

 

Cut M/S onboard pilot

 

Cut pilot P.O.V.

 

Cut M/S onboard pilot

Cut Pilot P.O.V. under wing

 

Cut M/S onboard pilot (mask on)

3353

 

 

3401

 

3405

 

3408

 

 

3414

 

 

 

cut pilots P.O.V. distant glider

 

Cut M/S onboard pilot (glasses on)

Cut Pilots P.O.V.

Cut M/S onboard pilot (Hat on)

Cut pilot P.O.V. glider ahead

3415

3417

 

 

3421

 

3426

3429

 

3433

The maximum altitude allowed by championship rules is 25,000 feet - double the level attainable without oxygen.  The world record for a glider currently stands at 46,000.  It ‘s known the wave here frequently surges well beyond that.  It is a day few of the visitors will ever forget.

 

 

 

 

 

Cut M/S I/V (White hat)

Key: Brad Edwards pilot

Lose Key

Cut M/S onboard pilot (Glider passed)

 

 

Cut Pilots P.O.V. mountains below

Cut M/S onboard pilot

3437

 

3438

 

3442

3444

 

3446

 

3450

 

3455

 

(sync and V/O)“The wave was just so different to anything I’ve done before. It’s just a fantastic feeling to be up there screaming along at 100 knots @20,000 ft...magic...so smooth, a magnificent scene below you - so smooth and just a completely different experience so new you really get a big buzz out of it.”

 

 

 

music out

 

 

music in

Cut wing passed cloud

3500

 

 

Mix to W/S pan L-R across sky

3506

 

3515

“A buzz”...but with extreme conditions, how many will complete the day’s task...only time will tell...

 

 

music out

Mix to  W/S Sculptor working

3517

 

 

cut W/S pan glider R-L across sky

3526

It’ll be a long exhilarating four hours and over 500 kilometres of high speed flying before the field finally finds its way home.

 

Mix to pan flags L-R to glider

3532

 

 

Cut L-S glider

3556

The day of turbulent weather has cracked the competition wide open.

 

Mix to L/S glider

being turned

Mix to glider, second into frame pan R

3559

 

3602

 

 

 

3605

Dozens of planes have been forced down on other fields.

 

 

 

 

 

Cut M/S track glider being pushed

3611

Those that have returned will reorder the points table

 

Cut L/S gliders

 

 

 

Cut M/S Pilot in cockpit

Cut W/S glider overhead Pan R

Cut 3/S Pilot in cockpit

Cut C/U pilot

 

Cut L/S gliders land

3619

 

3622

 

3630

 

3635

 

3645

Local wave master Ray Lynskey has been in his element.  In one flight he’s slashed the lead the German duo had built up over the previous week’s flying to pass Robbie Schroeder and take over second place immediately behind open class leader Uli Schwenke.

 

 

 

 

 

Cut M/S pilot

Key: Uli Schwenik Pilot

Lose Key

3650

3651

 

3655

 

 

(Sync)“It’s easy when you are in the wind, you can fly comfortable while sitting in your chair in front of your television.”

 

Cut 2/S pilot, Jacket off

3703

 

 

 

3704

The dread of the wave is now gone but the tables have been turned.

music in

Cut M/S pilot suit off

Cut L/S glider Pan L-R into land

3711

 

3715

 

 

 

3718

With 8 and a half thousand points clocked up the New Zealander is suddenly only 9 behind Schwenik.  There is just one day of competition left.

 

Mix to W/S Mountains and basin

3732

 

 

Fade to black

 

Fade up from black

 

MS official

3735

 

3738

 

 

 

 

(V/O)“Good morning Ladies and Gentlemen, welcome to contest day 10 alpha..the ultimate day of the 24th champs.

music out

Cut WS pilots

 

 

3740

The forecast for the final day suits nobody.

 

 

 

 

 

 

 

Mixed conditions.  Some thermals.  Some patchy wave.

 

 

 

 

 

Cut W/S timelapse clouds

 

W/S 2/S officials at map

 

Cut 2/S pilots

 

Cut C/U map

 

Cut W/S pilots

Cut C/U map

 

Mix to W/S timelapse clouds

 

3757

 

 

3757

 

 

3801

 

3810

 

3820

3824

 

3829

(Sync and V/O)“We’re expecting northerly winds to gradually strengthen during the day as the high continues to move away and this low continues to move away and this low continues to track toward the South Island.  Winds becoming gusty at the surface.  I guess the big point for today is that these winds are right round at the north which is reasonably unusual for here.  We are now seeing and talking to other operators out in the airfields, there is a bending of the isobars occurring because of the mountain barrier and that is giving us a nor nor westerly flow across the Alps which is responsible for generating the wave form that you see.

 

 

 

 

 

Mix to MW/S pilots exit tents

Cut W/S tent

Cut 4/S TV Crew I/V pivot

Cut L/S crowd

3836

 

3839

3842

 

3849

With the prospect of totally unpredictable weather ahead of them, the final victory is anyone’s.  After two weeks of flying, attention is focussed on an all out race looming between the highly practised German pair and New Zealander Ray Lynskey

 

 

 

 

 

Cut 4/S Pilots

 

Cut M/S I/V

Key:Ray Lynskey Pilot

Lose key

 

Cut W/S gliders

 

Cut M/S pilot drinks

3852

 

3900

3901

 

3905

 

3908

 

3912

(Sync and V/O)“Before we took off was a mess - it was a northerly mixed wavy thermally ridgy messy day and it was obviously going to be a problem.  I looked at the sky from the ground and thought I’m not quite sure what we’re going to have to do today so I was getting a bit worried - the Germans don’t know any better than I do so relax and enjoy the flight.”

 

 

 

 

 

 

 

 

 

Cut 2/S pilots

 

Cut C/U face

 

Cut C/U face tilt to belt

3916

 

3920

 

3923

Although flying in a different class, fellow New Zealand wave specialist Terry de Lore has been drafted in to the Lynskey team to help match the highly effective German team approach in the difficult conditions...

 

Cut W/S gliders and pilots

Cut pan L-R across cloud

3926

 

3929

 

 

 

 

 

 

Mix to L/S crowd

3934

But neither side will be prepared for what is about to unfold.

 

Cut MW/S L/A pilot

3936

 

 

Cut L/S official

Cut pan woman runs R-L

 

Cut L/S Glider towed off

Cut W/S Airfield

Cut H/A L/S glider towed

 

Cut L/S glider towed

Cut MW/S woman runs

cut W/S man polishes wing

3939

3940

 

 

3945

 

3952

3955

 

 

3958

 

4002

 

4004

 

 

music in

 

Cut C/U Tail Zoom out

 

Cut W/S onboard pilot

Cut H/A L/S glider towed

Cut W/S pan glider away

 

Cut W/S onboard pilot

Cut MW/S pan glider R-L

Cut L/S Man points

Cut L/S glider towed

Cut MW/S onboard pilot

Cut W/S mass of gliders

Cut W/S 2/S officials

Cut W/S window

 

Cut M/S mast tilt to flag

cut M/S woman on radio

Cut MW/S mass of gliders

4005

4006

 

 

4013

 

4015

 

4017

 

 

4022

 

4025

 

4028

4029

 

4031

 

4035

 

4039

 

4042

 

4045

 

4049

 

4051

The Germans plan to follow Ray Lynskey at all costs. If they can arrive back together they’ll win the day on points.

To snatch victory, Lynskey will need to lose them in the sky..

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

music out

Cut M/S woman

4054

 

 

Cut W/S gliders in sky

 

 

 

 

Cut M/S I/V

 

 

Cut Computer graphic 3 gliders exit L of frame

Cut M/S I/V

Cut Aerial track 2 gliders

 

Cut M/S I/V

 

 

 

 

Cut Aerial track 2 gliders

 

 

 

Cut M/S I/V

 

 

 

Mix to Aerial track gliders alongside mountain

 

 

Mix to M/S I/V

Key:Uli Schwenik Pilot

Lose Key

Cut Computer Graphic:2/S glider Zoom out to map

 

4057

 

 

 

 

 

4101

 

 

4105

 

 

 

 

 

 

4110

 

 

 

 

4113

 

 

 

 

4123

 

 

 

4129

 

 

 

 

4143

4144

 

4148

4151

 

4152

 

(Sync and V/O)“3 knots - northerly with some west influence 5-7 knots”

 

“heavy gliders - the wind on the ground is northerly some west influence 5-7 knots.”

 

“We started together...Ray, Robbie and I I...I was the first at the start point but I was a little bit lower”

 

 

 

 

 

 

“Robert Schroeder was right with me all the way.  Right there, he’d been with me half an hour before the start and would not leave me.  At that stage I knew what they’d do .  Uli would start about one minute later and using information Robert was radioing back try and catch up because there’s always an element of trying something when you’re on task.  It either works or it doesn’t - if it doesn’t you’ve wasted a bit of time but if someone’s with you and radio’s back don’t worry about that just come straight to where we are you can just go straight in - even if you’re lower you can climb up and that way you can actually catch up to somebody.”

 

“We saw the wave and we have to follow Ray - he’s the only one who is a wave glider pilot par excellence - we are not as fast as he will do so it was I think the best way.”

 

 

 

 

 

 

 

 

 

 

music in

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

music out

 

 

 

 

music in

 

 

 

 

 

 

 

Cut  C/U speaker

Cut C/U face

Cut 3/S

Cut W/S hut pan R-L

 

4157

 

4205

4207

4210

4212

 

 

But as the gliders head out into the rugged southern mountains radio contact with the airfield base breaks up..

 

The help both teams are relying on will be intermittent at best.

 

 

music out

Cut 2/S at table

4216

 

 

 

4217

The battle will be won or lost in the air and the German pair are in trouble.

 

 

 

 

 

Cut computer graphic gliders in clouds

 

 

 

MS I/v Uli

 

 

Cut aerial glider above ridge

 

Cut MS I/v Uli

4220

 

4221

4223

 

 

4232

 

 

4238

 

 

 

(V/O) “I lost altitude and I had to go under the clouds and I was again 100 metres

 

(sync) below and had the Pisa wave not the same climb rate as they did and so we got

 

(V/O) away and Robbie could follow him and I said follow him

 

(sync) it’s OK I have to do my own flight.”

 

 

music in

 

4246

 

music out

Cut aerial glider over hills

 

 

 

 

Cut MWS onboard pilot

4252

 

 

4253

 

 

4257

 

 

 

 

The race is now one on one.

 

Robert Schroeder, the practised professional versus local wave master, Ray Lynskey - above his home ground.

 

 

 

music in

 

 

 

 

Cut aerial track gliders

 

Cut MS I/v Uli

Cut computer graphic gliders along mountain

 

 

 

Cut MS I/v

Cut aerial WS profile glider

Cut aerial LS glider

Cut MS I/v

 

 

 

 

Cut computer graphic gliders turn

 

Cut MWS onboard pilot

Cut aerial glider above ridge

 

 

Cut MS I/v

 

 

Cut aerial gliders exit R. of frame

 

 

Cut pilot POV ridge

 

Cut MWS onboard pilot

Cut MS i/v

 

4302

 

 

4312

4317

 

 

 

4325

 

4327

4329

 

4331

4335

4339

 

4344

 

4345

 

4346

4354

 

4359

 

4403

 

4404

 

 

4408

 

4409

 

4412

 

4416

 

4425

 

(V/O and Sync)“I couldn’t lose Robert.  He was there no matter what I did.

 

 I went through some cloud, some cloud here and there and around the Remarkables. 

 

 

I thought if he’s going to stay with me he’s a pretty brave chap I looked around and sure enough right there winged him - he was still there through all this and I wasn’t sure who he was at that stage.  He was around but he was behind or whatever not really a problem”

 

 

 

 

 

“After the turnpoint, Kingston to Queenstown I was under the clouds and I didn’t catch the wave and so I have to fly always low.”

 

 

 

“Robert was always there and he no matter what I did he wouldn’t let go.  He stayed there through hell and high water.  I was quite amazed.”

 

 

 

When I was too low.  I made the radio off because I’m too nervous.  I couldn’t hear anything so it’s better when I hear nothing.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

music out

music in

 

 

 

 

 

 

 

music out

 

 

 

 

 

music in

 

 

 

 

music out

 

 

 

 

Cut 3S Z/I CU woman

4434

The support crews are now also hearing nothing - forced to wait unknowing while the mid-air drama unfolds beyond the horizon.

 

 

4442

 

music in

Cut aerial - pan glider L-R

Cut MWS onboard pilot

Cut MS I/v

 

4443

 

4447

 

4451

“So anyway we duly climbed and came up through Lindis Pass... It was all messy with no indication of where to go so I just sort of imagined where the wave might be and flew on that sort of track.

 

 

 

 

 

Cut aerial H/A over glider

 

Cut MWS onboard pilot

Cut aerial WS glider in valley 

4455

 

 

4458

 

4501

But in his efforts to lose Schroeder, Lynskey is now low and struggling.

 

He desperately needs lift - and inspiration...

 

Both are not far away...

 

 

 

 

 

 

4503

“At this stage I had a good idea that the Germans would still use lift if it was there.”

 

 

 

 

 

 

4509

And so as soon as they find it, Lynskey makes a move...

 

 

 

 

 

Cut MS I/v

 

Cut computer graphic - gliders seperate

 

 

 

Cut MS I/v

4513

4516

4517

4518

 

 

 

 

4537

“Robbie was not sure of the last turnpoint.  Ray knew that after the turnpoint the southern ridge works very well so he doesn’t need to climb but Robbie was afraid and so he stayed and climbed a few hundred metres but he lost 10 minutes.

 

music out

music in

 

 

 

 

 

Cut LS glider to camera

4539

The championship may now hang on one desperate dash...

 

 

 

 

 

Cut MS I/v

 

Cut glider to camera

4542

 

4546

“He got to the ridge about halfway up the top hoping it would still work halfway up the top by the skifield.”

 

 

 

 

 

 

4548

And it does...a rising wave of air just strong enough to lift the plane over one final ridge

 

 

Cut MS I/v

 

 

4559

 

 

 

4600

“Down the ridge on to Benmore and home - that was it”

 

Cut WS crowd on hill

 

Cut WS glider over trees

 

Cut LS crowd and flags

 

Cut glider overhead

 

 

Cut 2S men

 

 

Cut LS glider lands

 

 

Cut MS pan pilot R-L

4603

 

 

4606

 

 

4608

 

 

4610

 

 

4616

 

 

4619

 

 

4628

 

 

 

 

4629

Although home first, Lynskey needs enough of a lead on the Germans to secure a real points advantage.

 

Cut WS Pan L-R glider

 

4631

 

4635

 

music out

music in

Cut WS track woman to pilot

4637

“Good one Spinner - good on you.”

 

“No one else back yet is there??  Just count off a few minutes.”

 

 

 

 

 

Cut aerial track glider

4646

To affect the outcome the Germans need to come in within 2 or 3 minutes.

 

 

 

 

 

Cut MS pilot stands

4649

The championship hangs on a thread.

 

 

 

 

 

Cut WS group by glider

4652

“Congratulations.  Well let’s just wait...”

 

 

 

 

 

 

4656

The first German craft is spotted.

 

Cut WS pan glider R-L

4657

 

 

Cut track glider pushed

 

Cut WS glider overhead

 

Cut LA WS glider pushed

 

Cut L2S

 

 

Cut aerial track glider lands

4701

 

 

4705

 

 

4709

 

 

4711

 

 

4714

 

 

 

 

 

 

 

 

 

 

 

 

But it’s Robbie Schroeder’s.  He already trails Lynskey on points.  Without Uli Schwenke it’s now too late...

 

 

Cut LS glider lands

 

4717

 

Even his own support crew concede local knowledge has won the day...

 

music out

Cut LS crowd

 

Cut 3S pilot congratulated

4720

 

4723

 

 

Cut WS glider on ground

4730

 

4731

 

 

“Ray Lynskey is definitely the best I flew two thirds of the task with him and it’s incredible how well he knows this terrain”

 

 

 

Key : Robert Schroeder

Pilot

 

Lose Key

4734

 

4737

 

 

 

4741

Cut MS I/v pilot in cockpit

 

 

 

 

 

Cut LS glider in air

 

 

4743

 

 

It has truly been the ultimate test - one of the most turbulent days ever in championship flying.

 

Many planes won’t complete the task

 

 

 

 

 

Cut LS glider in air

 

Cut I/v MS track pilot

Cut LS glider in air

 

Cut I/v MS track pilot

 

Key: Terry Delore

Pilot

 

Lose Key 

4758

 

4804

 

4806

 

4812

 

 

 

 

 

4820

“I don’t think I’ve ever worked so hard and been so gloomy so much of the time.”

 

“Incredible turbulence.  Don’t know how many times I hit my head on the canopy.  Coming down that lee of the ridge.  Good day, good day - good when the bloody wind starts blowing.  Hopeless in this place without any wind.”

 

”What about Ray...he’s still ugly.”

 

 

 

 

 

Cut MS pan camera to pilot

4823

At the eleventh hour the Mackenzie’s legendary wave has reasserted it’s all-powerful influence on events in the valley... It’ll be almost a full hour before Uli Schwenke finally makes it home.

 

Cut WS pan glider R-L

 

Cut WS pan glider L-R

4830

 

 

4835

 

music in

 

music out

 

4837

“I didn’t get the wave and the thermals were like sparkling water.  I didn’t find them and the problem was that I always was very low - today was a real NZ day.”

 

 

Cut Track man to glider

 

Cut CU map - tilt to pilot

 

Cut WS crowd by glider

 

Diss. WS cover onto wing

 

4838

 

4839

 

 

 

4903

 

 

4906

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4907

A NZ day that’s given Ray Lynskey the world championship -

the first championship title to ever go to a New Zealand pilot...

 

 

 

 

 

 

Diss. MS flag

 

Cut MS Pilot raises trophy

 

Cut MWS crowd stands

 

Cut WS crowd

 

Cut MWS Pilots shake hands

 

Cut 3S flags

 

Diss CU face of sculpture

 

Cut 2S man by sculpture

 

 

4915

 

4917

 

 

4921

 

 

4922

 

4924

 

 

4928

 

4931

 

 

4934

 

 

 

 

 

music in

 

Key: Dick Georgeson

Pilot

 

Lose Key

 

49394940

 

 

 

4944

“45 years later since exploring the 1st wave it’s a joy to see others coming to this magnificent country and enjoying our westwind.”

 

 

 

 

 

Cut aerial glider over river

4950

The wave is no longer an unknown realm to enter in fear.

 

For Ray Lynskey, at least it has become a path way to greater challenges beyond...

 

Cut MWS onboard pilot

4955

 

 

Cut MS I/v

 

Cut WS glider passes overhead

 

Cut MS I/v

5002

 

5012

 

 

5016

“There are places in the world where I’d really like to go and do some things actually - but there is more pushing back of barriers to go yet, where you get into the wave in the lee of the great dividing range on the east coast of Australia, climb to maybe 30-40,000 ft on an optimum day where you get into the jetstream and glide to NZ”

 

Cut LS glider over mountain ridge

5028

 

 

 

 

 

 

 

 

 

Cut MWS onboard pilot

 

Cut LS glider over mountain ridge

 

 

 

 

5029

 

 

5032

 

 

 

 

And that is just the beginning.

 

There is already talk of pushing still further...

 

The prospect of circumnavigating the planet entirely on the unseen currents of the wind....

 

Our journey into the invisible realm may have barely begun...

 

 

 

 

 

Cut MS I/v

 

 

 

 

Key: Justin Wills

Pilot

 

Lose Key

5048

 

5050

 

 

5057

 

 

5102

“We know that gliders can fly to 50,000 ft using the waves.  Behind mountain

 

 

 

ranges there have been observations of mother of pearl clouds - that’s ice crystals at about 80,000 ft which may well be there because of some form of vertical disturbance in the atmosphere and that coupled with perhaps improved understanding of jetstreams may also open a completely new field of potential

 

 

music out

 

 

 

 

Cut Pan glider R-L as it rises against mountain

5118

 

 

5120

for the would be astronaut/glider pilot.”

 

 

 

music in

 

Diss

WS Timelapse cloud

 

5129

 

 

 

 

 

 

Key Graphic: Roller caption of credits

 

 

Roller caption stops

 

 

 

Key © TVNZ 1996

5130

 

 

 

5204

 

 

 

5205

 

 

 

 

 

 

 

 

Fade to Black

5207

 

music out

 

 

 

 

 


Return to Title Description